Publications and writings from Performance Design, Roskilde University.
This is a small selection, see all publications in the research group VISPER
2019
Leupin, R. (2019). Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival. TDR/The Drama Review, 63(1), 100-124.
Lindelof, A. M. (2019). The Production of Liveness: Television Concerts on Danish Television 1964-1978. Cinema & Cie, XIX(31), 51-64.
Haldrup, Michael ; Christensen, Hans Dam. / Museum communication between Experience and Enlightenment. In: Nordisk Museologi. 2019 ; Vol. 2019, No. 1. pp. 5-10.
Samson, K., & Fjalland, E. L. P. (2019). Reparative Practices: Invitations from Mundane Urban Ecologies. Paper presented at NORDES – Who Cares?, Helsinki, Finland.
Samson, K. (2019). Urbanitet. In B. Eriksson, & B. Shiermer Andersen (Eds.), Ny kulturteori Hans Reitzels Forlag.
Baggesen, R. H. (2019). Mobile media, mobility and mobilisation in the current museum field. In K. Drotner, V. Dziekan, R. Parry, & K. Schrøder (Eds.), The Routledge Handbook of Museums, Media and Communication (pp. 115-127). Oxon & New York: Routledge. Routledge International Handbooks
Barnes, S., Mattsson, J., Sørensen, F., & Jensen, J. F. (2019). The Mediating Effect of Experiential Value on Tourist Outcomes from Encounter-Based Experiences. Journal of Travel Research, 1-14.
Krogh Groth, S., & Samson, K. (2019). The Audio Paper – From situated practices to affective sound encounters. Paragrana, 21.
2018
Lindelof, A. M. (2018). Why do Broadcasting Corporations Have Orchestras: Understanding the Production Mentality of DR through the Case of the Danish National Chamber Orchestra. In M. Michelsen, S. K. Nielsen, M. Krogh, & I. Have (Eds.), Tunes for all?: Music on Danish Radio (pp. 241-258). Aarhus Universitetsforlag.
Shanks, M., & Svabo, C. (2018). Scholartistry: Incorporating Scholarship and Art. Journal of Problem Based Learning in Higher Education. https://doi.org/10.5278/ojs.jpblhe.v6i1.1957
Schmidt, U., & Søchting, R. (2018). Hvad er et format? Konsthistorisk Tidskrift. https://doi.org/10.1080/00233609.2018.1479448
Pedersen, M. H., Hobye, M., & Padfield, N. (2018). The bizarre bazaar: FabLabs as hybrid hubs. CoDesign: International Journal of CoCreation in Design and the Arts, 14(4), 329-344. https://doi.org/10.1080/15710882.2017.1378684
Pedersen, M. H., & Haldrup, W. (2018). Fotografiet i Samfundets Tjeneste: lysbilledforedraget som Kommunikativt Medium. Kulturstudier, 9(2), 107-136.
Michelsen, M. (Ed.), Have, I. (Ed.), Lindelof, A. M. (Ed.), Larsen, C. R., & Smith-Sivertsen, H. (2018). Stil nu ind: Danmarks Radio og musikken. Aarhus: Aarhus Universitetsforlag.
Samson, K. (2018). Stedets affekt og performativitet: Hvordan den sanselige erkendelse artikuleres i aktuel kulturarv og bydesign. In M. Martinussen, & K. Larsen (Eds.), Materialitet og læring (pp. 271-296). København: Hans Reitzels Forlag.
Kærgaard Andersen, P., Mouritzen, L., & Samson, K. (2018). Becoming Citizen: Spatial and Expressive Acts when Strangers Move In. Social Inclusion, 6(3). https://doi.org/10.17645/si.v6i3.1513
Jensen, J. F., & Sørensen, F. (2018). Front-line Employee-Based Experience Innovation in Tourism. In A. Scupola, & L. Fuglsang (Eds.), Integrating Service, Innovation and Experience Research Edward Elgar Publishing.
2017
Lindelof, A. M., & Reason, M. (2017). Experiencing Liveness in Contemporary Performance. Introduction. I Experiencing Liveness in Contemporary Performance. : Interdisciplinary Perspectives (Kapitel 1)
Lindelof, A. M., Schmidt, U., & Svabo, C. (2017). Environmental Performance: Framing Time. I M. Reason, & A. M. Lindelof (red.), Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives (Kapitel 6, s. 229-240). Oxon: Routledge. (Routledge Advances in Theatre & Performance Studies; Nr. 47).
Christiansen, H., & Laursen, B. (2017). Interactive Installations for Spatial Access to Artistic Sketchbooks. EAI Endorsed Trans. Creative Technologies, 4(12), [4(12): e3]. DOI: 10.4108/eai.3-10-2017.153156
Strandvad, S. M., & Andersen, B. S. (2017). Kunst og æstetik. I P. Tanggaard Andersen, & M. Hviid Jacobsen (red.), Kultursociologi og kulturanalyse (Kapitel 13, s. 347-374). København: Hans Reitzel. (Sociologi (Kbh.), Vol. 13).
Pedersen, M. H. (2017). Souvenirs: Magical Objects in Everyday Life. Emotion, Space and Society, 22, 52-60. DOI: 10.1016/j.emospa.2016.12.004
Schmidt, U. (2017). Space as Elemental Medium: Architecture, Screen and Topological Space. I C. Dinesen, I. Hyams, M. Meldgaard, A. Michelsen, & H. Oxvig (red.), Architecture, Drawing, Topology (s. 19-29). Baunach: ADDR.
Laursen, B. (2017). The substance of drawing: A guide to visual power. Irland: Artdigiland Ltd. (artdigiland books essays)
2016
Svabo, C. (2016). Performative Schizoid Method: Performance as Research. PARtake: The Journal of Performance as Research, 1(1), 1-21. [7].
Samson, K., Bertelsen, L., & Baunkilde, M. (2016). Sensitiv urbanitet: Fra arkitektonisk planlægning til foldningernes by. Periskop, 2016(16).
Krogh Groth, S., & Samson, K. (2016). Audio Papers – A Manifesto. Seismograf/DMT.
Strandvad, S. M., & Davis, T. C. (2016). The Disappearing Act. Performance Research, 21(2), 125-137. DOI: 10.1080/13528165.2016.1162537
Fabian, L., & Samson, K. (2016). Claiming Participation – a comparative analysis of DIY urbanism in Denmark. Journal of Urbanism, 9(2), 166-184. DOI: 10.1080/17549175.2015.1056207
Pedersen, R. R. (2016). Den digitale musikbranche: Streaming og lyttemønstre. I J. B. Jessen, A-M. M. Nielsen, & T. Vind (red.), Biblioteker og musik: Perspektiver (s. 106-112). København: Slots- og Kulturstyrelsen.
Reason, M., & Lindelof, A. M. (red.) (2016). Experiencing Liveness in Contemporary Performance: interdisciplinary perspectives. Abingdon, Oxon: Routledge. (Routledge Advances in Theatre & Performance Studies, Vol. 47).
Lindelof, A. M., & winkelhorn, K. (2016). Glemte værker – iscenesættelse som form. Peripeti, Nr. 25 .
Schmidt, U. (2016). Industri og design: Om det syntetiske som materialeæstetisk princip. Kulturo, (42), 96-107.
Larsen, C. R., & Lindelof, A. M. (2016). Jagten på de skjulte talenter: rytmisk musik mellem organiseret talentpleje, talentshows og selvorganisering. I M. Krogh, & H. Marstal (red.), Populærmusik i Danmark siden 2000 Odense: Syddansk Universitetsforlag.
Groth, S. K., & Lindelof, A. M. (2016). Kultur og Performance. I B. Schiermer (red.), Kulturteori og kultursociologi (Kapitel 21, s. 545-570). KØbenhavn: Hans Reitzel.
Strandvad, S. M. (2016). Ny kunstsociologi. I B. Schiermer (red.), Kulturteori og kultursociologi (Kapitel 6, s. 147-167). København: Hans Reitzel.
Svabo, C. (2016). Performative Schizoid Method: Becoming Iris in Borrowed Plumes 1 University of Colorado, Boulder: University of Colorado Boulder. [Lyd og/eller billed produktion (digital)]. http://scholar.colorado.edu/partake/vol1/iss1/7/
2015
Samson, K. (2015). Performativ urbanisme: kunst mellem byplanlægning og aktivisme. Aktuel forskning ved Institut for Litteratur, Kultur og Medier, (Særnummer december 2015), 51-62.
Samson, K. (2015). Aesthetic Performativity in Urban Design and Art. I E. Kristiansen, & O. Harsløf (red.), Engaging Spaces: Sites of Performance, Interaction and Reflection (Kapitel 9, s. 292-326). Copenhagen: Museum Tusculanum.
Olsen, J. S. (2015). The Experience of Truth in Jazz Improvisation. I D. Jørgensen, G. Chiurazzi, & S. Tinning (red.), Truth and Experience: Between Phenomenology and Hermeneutics (Kapitel 17, s. 309-330). Newcastle upon Tyne: Cambridge Scholars Publishing.
Pedersen, M. H., & Larsen, J. (2015). Tourism, Performance and the Everyday: Consuming the Orient. (pbk udg.) London: Routledge. (Contemporary geographies of leisure, tourism and mobility; Nr. 15).
Lindelof, A. M. (2015). Audience development and its blind spot: A quest for pleasure and play in the discussion of performing arts institutions. International Journal of Cultural Policy, 21(2), 200-218. DOI: 10.1080/10286632.2014.891585
Pedersen, R. R. (2015). Ad Hoc Entrepreneurs: Middle-Layer Musicians and the Contemporary Media Landscape. Roskilde: Roskilde Universitet.