Performance Design Publications

Publications and writings from Performance Design, Roskilde University.

This is a small selection, see all publications in the research group VISPER

 

2019

Baggesen, R. H. (2019). Mobile media, mobility and mobilisation in the current museum field. In K. Drotner, V. Dziekan, R. Parry, & K. Schrøder (Eds.), The Routledge Handbook of Museums, Media and Communication (pp. 115-127). Oxon & New York: Routledge. Routledge International Handbooks

2018

Lindelof, A. M. (2018). Why do Broadcasting Corporations Have Orchestras: Understanding the Production Mentality of DR through the Case of the Danish National Chamber Orchestra. In M. Michelsen, S. K. Nielsen, M. Krogh, & I. Have (Eds.), Tunes for all?: Music on Danish Radio (pp. 241-258). Aarhus Universitetsforlag.

Shanks, M., & Svabo, C. (2018). Scholartistry: Incorporating Scholarship and Art. Journal of Problem Based Learning in Higher Educationhttps://doi.org/10.5278/ojs.jpblhe.v6i1.1957

Schmidt, U., & Søchting, R. (2018). Hvad er et format? Konsthistorisk Tidskrift. https://doi.org/10.1080/00233609.2018.1479448

Pedersen, M. H., Hobye, M., & Padfield, N. (2018). The bizarre bazaar: FabLabs as hybrid hubs. CoDesign: International Journal of CoCreation in Design and the Arts14(4), 329-344. https://doi.org/10.1080/15710882.2017.1378684

Pedersen, M. H., & Haldrup, W. (2018). Fotografiet i Samfundets Tjeneste: lysbilledforedraget som Kommunikativt Medium. Kulturstudier9(2), 107-136.

Michelsen, M. (Ed.), Have, I. (Ed.), Lindelof, A. M. (Ed.), Larsen, C. R., & Smith-Sivertsen, H. (2018). Stil nu ind: Danmarks Radio og musikken. Aarhus: Aarhus Universitetsforlag.

Samson, K. (2018). Stedets affekt og performativitet: Hvordan den sanselige erkendelse artikuleres i aktuel kulturarv og bydesign. In M. Martinussen, & K. Larsen (Eds.), Materialitet og læring (pp. 271-296). København: Hans Reitzels Forlag.

Kærgaard Andersen, P., Mouritzen, L., & Samson, K. (2018). Becoming Citizen: Spatial and Expressive Acts when Strangers Move In. Social Inclusion6(3). https://doi.org/10.17645/si.v6i3.1513

Jensen, J. F., & Sørensen, F. (2018). Front-line Employee-Based Experience Innovation in Tourism. In A. Scupola, & L. Fuglsang (Eds.), Integrating Service, Innovation and Experience Research Edward Elgar Publishing.

2017

Lindelof, A. M., & Reason, M. (2017). Experiencing Liveness in Contemporary Performance. Introduction. I Experiencing Liveness in Contemporary Performance. : Interdisciplinary Perspectives (Kapitel 1)

Lindelof, A. M., Schmidt, U., & Svabo, C. (2017). Environmental Performance: Framing Time. I M. Reason, & A. M. Lindelof (red.), Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives (Kapitel 6, s. 229-240). Oxon: Routledge. (Routledge Advances in Theatre & Performance Studies; Nr. 47).

Christiansen, H., & Laursen, B. (2017). Interactive Installations for Spatial Access to Artistic SketchbooksEAI Endorsed Trans. Creative Technologies4(12), [4(12): e3]. DOI: 10.4108/eai.3-10-2017.153156

Strandvad, S. M., & Andersen, B. S. (2017). Kunst og æstetik. I P. Tanggaard Andersen, & M. Hviid Jacobsen (red.), Kultursociologi og kulturanalyse (Kapitel 13, s. 347-374). København: Hans Reitzel. (Sociologi (Kbh.), Vol. 13).

Pedersen, M. H. (2017). Souvenirs: Magical Objects in Everyday LifeEmotion, Space and Society22, 52-60. DOI: 10.1016/j.emospa.2016.12.004

Schmidt, U. (2017). Space as Elemental Medium: Architecture, Screen and Topological Space. I C. Dinesen, I. Hyams, M. Meldgaard, A. Michelsen, & H. Oxvig (red.), Architecture, Drawing, Topology (s. 19-29). Baunach: ADDR.

Laursen, B. (2017). The substance of drawing: A guide to visual power. Irland: Artdigiland Ltd. (artdigiland books essays)

2016

Svabo, C. (2016). Performative Schizoid Method: Performance as ResearchPARtake: The Journal of Performance as Research1(1), 1-21. [7].

Samson, K., Bertelsen, L., & Baunkilde, M. (2016). Sensitiv urbanitet: Fra arkitektonisk planlægning til foldningernes byPeriskop2016(16).

Krogh Groth, S., & Samson, K. (2016). Audio Papers – A ManifestoSeismograf/DMT.

Strandvad, S. M., & Davis, T. C. (2016). The Disappearing ActPerformance Research21(2), 125-137. DOI: 10.1080/13528165.2016.1162537

Fabian, L., & Samson, K. (2016). Claiming Participation – a comparative analysis of DIY urbanism in DenmarkJournal of Urbanism9(2), 166-184. DOI: 10.1080/17549175.2015.1056207

Pedersen, R. R. (2016). Den digitale musikbranche: Streaming og lyttemønstre. I J. B. Jessen, A-M. M. Nielsen, & T. Vind (red.), Biblioteker og musik: Perspektiver (s. 106-112). København: Slots- og Kulturstyrelsen.

Reason, M., & Lindelof, A. M. (red.) (2016). Experiencing Liveness in Contemporary Performance: interdisciplinary perspectives. Abingdon, Oxon: Routledge. (Routledge Advances in Theatre & Performance Studies, Vol. 47).

Lindelof, A. M., & winkelhorn, K. (2016). Glemte værker – iscenesættelse som formPeripetiNr. 25 .

Schmidt, U. (2016). Industri og design: Om det syntetiske som materialeæstetisk principKulturo, (42), 96-107.

Larsen, C. R., & Lindelof, A. M. (2016). Jagten på de skjulte talenter: rytmisk musik mellem organiseret talentpleje, talentshows og selvorganisering. I M. Krogh, & H. Marstal (red.), Populærmusik i Danmark siden 2000 Odense: Syddansk Universitetsforlag.

Groth, S. K., & Lindelof, A. M. (2016). Kultur og Performance. I B. Schiermer (red.), Kulturteori og kultursociologi (Kapitel 21, s. 545-570). KØbenhavn: Hans Reitzel.

Strandvad, S. M. (2016). Ny kunstsociologi. I B. Schiermer (red.), Kulturteori og kultursociologi (Kapitel 6, s. 147-167). København: Hans Reitzel.

Svabo, C. (2016). Performative Schizoid Method: Becoming Iris in Borrowed Plumes 1 University of Colorado, Boulder: University of Colorado Boulder. [Lyd og/eller billed produktion (digital)]. http://scholar.colorado.edu/partake/vol1/iss1/7/

2015

Samson, K. (2015). Performativ urbanisme: kunst mellem byplanlægning og aktivismeAktuel forskning ved Institut for Litteratur, Kultur og Medier, (Særnummer december 2015), 51-62.

Samson, K. (2015). Aesthetic Performativity in Urban Design and Art. I E. Kristiansen, & O. Harsløf (red.), Engaging Spaces: Sites of Performance, Interaction and Reflection (Kapitel 9, s. 292-326). Copenhagen: Museum Tusculanum.

Olsen, J. S. (2015). The Experience of Truth in Jazz Improvisation. I D. Jørgensen, G. Chiurazzi, & S. Tinning (red.), Truth and Experience: Between Phenomenology and Hermeneutics (Kapitel 17, s. 309-330). Newcastle upon Tyne: Cambridge Scholars Publishing.

Pedersen, M. H., & Larsen, J. (2015). Tourism, Performance and the Everyday: Consuming the Orient. (pbk udg.) London: Routledge. (Contemporary geographies of leisure, tourism and mobility; Nr. 15).

Lindelof, A. M. (2015). Audience development and its blind spot: A quest for pleasure and play in the discussion of performing arts institutionsInternational Journal of Cultural Policy21(2), 200-218. DOI: 10.1080/10286632.2014.891585

Pedersen, R. R. (2015). Ad Hoc Entrepreneurs: Middle-Layer Musicians and the Contemporary Media Landscape. Roskilde: Roskilde Universitet.

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